It was a delight to come across some information about Charlotte Grace Cowell, grand-daughter of William Ince, who was a miniaturist painter. She was born on the 13th October 1811, daughter of George Cowell and Isabella Ince, who had married in St Mary’s Hornsey in 1795 when William Ince was Church Warden. Charlotte was the youngest of their six children.
In 1834-1835 she won the Silver Isis medal for an original miniature from the Royal Society of Arts. She exhibited at the Royal Academy in 1851, two portraits being listed against her name; the late Levi Ames, Esq. and the daughter of J.O.Hanson, Esq. She was described as Cowell Miss Grace Charlotte (afterwards Mrs F. Dixon) miniature painter of 12 Upper Gloucester Street. She married Frederick Henry Dixon on 11th October 1851, two days short of her 40th birthday, at St Martin’s in the Fields. Frederick was also a portrait painter.
According to The Dictionary of British Women Artists[i] she was active between 1851 and 1875 having been instructed by Frederick Crucikshank a portrait painter and miniaturist and François Théodore Rochard (French, 1798-1858) who also produced portrait miniatures and watercolours.
Bonhams sold a painting of hers in 2003. It was described as A bearded and bespectacled Gentleman, wearing black coat over white shirt and blue cravat signed on obverse and dated G Dixon 1873, and on the reverse, Mrs. F. Dixon/ Miniature Painter/ 1873, fitted red leather case Oval, 108mm. (4 1/4ins.) high
Another surviving painting is a miniature portrait described as Oil on Ivory Portrait of a Toddler Holding a Rose, unsigned, but by Charlotte Dixon. On the obverse it is inscribed by Cowell Writing Painter Gilder No.16 Little New Street Shoe Lane Fleet Street
According to the Dictionary of British Women Artists, Grace Cowell visited Paris, but travelled mostly around Britain, producing portraits in miniature, and large portrait heads in black and white chalk. Her portraits apparently included such subjects as the Madonna, Caesar Borgia and Richard Bethel, the Lord Chancellor.
It was interesting to see in the 1841 census that her older unmarried sister was with their parents in Devon, but Grace is not there. She may have been out of the country as I cannot find her. It seems likely that her father gave her financial support; he was a wealthy city merchant. In his will, proved in 1846, he left everything to his wife, Isabella, to be divided between the children on her death ((apart from daughter Isabella who had received financial support on her marriage). Their mother died in the summer of 1852, so Grace would probably have been able to support herself and her painter husband. I have not yet found any surviving work by him.
[i] Gray, Sara, The Dictionary of British Women Artists Lutterworth Press, 2009
I recently came across Pat Kirkham's book on Furniture Making in London in the Eighteenth Century[i]. There are a number of interesting facts about the firm Ince & Mayhew, many of which were included in her article for the Furniture History Society[ii].
However, one detail that had escaped me up to now was that when John Mayhew married Isabella Stephenson, she had a large dowry. Pat Kirkham writes: John Mayhew’s wife brought a large sum of money to her husband when they married in 1762, and, widowed within the year, Mayhew used approximately three thousand pounds of that money to finance his business.
I am going to re-visit the National Archives to see if there is any further information on this, but it did help to explain why Isabella's sister, Ann, William's wife, had no hesitation about taking John Mayhew to court to get a fair settlement on the break-up of the partnership. She would no doubt have known all about that money, and would have regarded it as belonging equally to her family. No wonder she insisted on a more balanced final payment.
[i] Kirkham, P. (1988). The London Furniture Trade 1700-1870. Furniture History, 24, I-219. Retrieved from http://www.jstor.org/stable/23406689
[ii] Kirkham, P.. (1974). The Partnership of William Ince and John Mayhew 1759—1804. Furniture History, 10, 56–60. Retrieved from http://www.jstor.org/stable/23403407
Francis Ince (1841-1920) one of William Ince’s great grandsons, played an important role in the introduction of electricity to the domestic home.
According to his daughter’s book[i], Francis was a practical man of business, by temperament excitable, impetuous and impatient of quick results. A lawyer by profession he was a passionate amateur scientist with a great interest in the technicalities of electrical science. In 1881 he met Sebastian de Ferranti, then aged 17, but already an ingenious inventor, who was then working for Siemens. Francis Ince recognised Ferranti’s talent and set him up in business with the company Ferranti, Thompson and Ince.
Ferranti was a pioneer in electrical engineering, having grasped that electricity could be made on a large scale in one place and then distributed to all those who needed it. One of his aims was to use electricity to help women with their domestic chores. He was appointed to the London Electric Supply Corporation with Francis Ince on the Board of Directors. At the age of 24 he helped establish the world’s first high voltage AC power station at Deptford with the ability to create 10,000 volts. He also invented cables to carry high voltage electricity; the transformer to reduce the voltage for use and the voltmeter to measure use. This is much the same system that is still in use all over the world today.
By 1893 Francis Ince was a Member of the Institution of Electrical Engineers, Director of the London Electric Supply Corporation and Chairman of S. Z. de Ferranti. In 1889 he had been amongst the party to meet Thomas Edison when he visited the Deptford works.
Francis left Ferranti’s company in 1899, but they remained firm friends. Ferranti had married his daughter, Gertrude, in 1888 and was a support to Francis during his final illness.
A blue plaque for Sebastian de Ferranti has recently been erected in his birthplace, Liverpool. An excellent explanation of his contribution to our world can be seen at http://www.sebastiandeferranti.co.uk and http://www.ferranti.me/sebastian-1864.html
[i] Ziani de Ferranti, Gertrude and Ince, Richard, The Life and Letters of Sebastian Ziani de Ferranti, London 1934
I have added a family tree to the descendants page to show how I am connected to William Ince. There are a number of cousins, mostly descended from Charles Frederick Ince, some from Edward Bret Ince, who meet up from time to time with our families to view Ince & Mayhew furniture.
Fourteen direct descendants of William Ince went to Burghley in May 2013 and had a really good time being shown round by Jon Culverhouse, the curator. We were shown the wonderful commodes, collector’s cabinets, urns and pedestals, chairs etc. I most enjoyed being allowed to sit in an Ince & Mayhew chair.
Last October some of us went to the Lady Lever Gallery in Liverpool, where there is a superb collection of Ince & Mayhew commodes, described in detail by Lucy Wood in her book, Catalogue of Commodes. After an entertaining tour of the gallery it was a delight to be able to spend time enjoying the workmanship and marvelling at the detail of the marquetry.
This July we will be heading off to Broadlands in Hampshire, where the 2nd Viscount Palmerston had his country residence. Ince is mentioned in several of Palmerston’s letters and Lady Palmerston’s inventory of 1797 mentions a ‘Secretary made by Ince’. (Hugh Roberts, Country Life 29 January and 5 February 1981)
It has also been a pleasure to find some cousins descended from Henry Robert Ince, William Ince’s doctor son. One lives in Worcestershire and helped me with some early research and now several of you in Pennsylvania are following this blog. It would be lovely to hear from any others.
Early on in my research I visited St George's Hanover Square in London. This is the church where John Mayhew and William Ince married the sisters Isabella and Ann Stephenson on 20th February 1762. The report in The London Chronicle refers to 'Nancy Stephenson', which lends an air of frivolity to her.
All four signed the entries in the Parish Register, and the witnesses were John Mayhew's father and William Ince, for John and Isabella, and again John Mayhew's father and this time John Mayhew for William and Ann. The curate, Thomas Vincent, performed the service along with the other three marriages that took place that day.
The marriages were permitted by licence, rather than the reading of Banns. As Nancy was only nineteen her mother signed a paper to confirm Nancy had no father living, and she gave her permission for the marriage to take place. Jean Stephenson wrote that she was too old and infirm to testify in person.
As many a family historian will relate, to take time to sit quietly in the church where your ancestors were married is a moving experience. I found it good to ponder on their marriage, how young they all were, still in their teens and twenties, but presumably hopeful and excited about their future together. Sadly Isabella died within the year, but William and Nancy survived to the early nineteenth century, producing thirteen children, nine boys and four girls, of whom only six survived them.
Sarah Ingle is the great great great great grand-daughter of William Ince and has been researching her family history for a number of years. She thoroughly enjoyed the detective work involved in tracing William’s lineage.